True, though I'm impressed with what editors can do with photographs. For instance, that one with the lady and the computer--I could see an extreme closeup on the right side (showing her face), moving down to her hands, and then up and out to show the computer. All that movement from a single photo! Amazing what you can do, really.
I still prefer the 3D effect, where the camera moves through the photo. We were supposed to be able to have that effect implemented, but who knows at this point. I guess we can do a "beauty pass" on all the still images when it reaches that point. I don't even think the rough cut is the place for that.
*************************** Bill Loguidice, Managing Director
Armchair Arcade, Inc.
*************************** Bill Loguidice, Managing Director
Armchair Arcade, Inc.
True, though I'm impressed with what editors can do with photographs. For instance, that one with the lady and the computer--I could see an extreme closeup on the right side (showing her face), moving down to her hands, and then up and out to show the computer. All that movement from a single photo! Amazing what you can do, really.
I still prefer the 3D effect, where the camera moves through the photo. We were supposed to be able to have that effect implemented, but who knows at this point. I guess we can do a "beauty pass" on all the still images when it reaches that point. I don't even think the rough cut is the place for that.
***************************
Bill Loguidice, Managing Director
Armchair Arcade, Inc.
***************************
Bill Loguidice, Managing Director
Armchair Arcade, Inc.